On Friday, April 9th, I attended the Opeth “Evolution XX” (20th anniversary) concert at the Wiltern Theater in Los Angeles, and this was, hands down, the single most intense concert experience of my life, on many levels. I was there with my good friends from around the country and it is safe to say, we all thoroughly enjoyed the show and the entire experience. We all had VIP tickets, which meant we got to meet the band, witness the sound check, receive special swag and gain early admission to the show. We got to the venue early, and lined up outside waiting for our chance to meet the Swedish metal legends!

Brett, Eric and Tony in the VIP line
Once we got our special laminate badges on snazzy Opeth lanyards, we were herded into the VIP holding area, which had a bar and bathrooms, and some room to mill about. We were then sorted into groups of 20 or so, with each group getting about 10 minutes to mingle with the band. Not enough time!!! Once we got our chance, it was a (white) cluster fuck to try to interact with all five band members, snap photos (with our lousy cell phone cameras because we stupidly followed the rules and didn’t bring real cameras!!) and get signatures on items. I brought with me a photograph of the Opeth logo pumpkin I carved for Halloween. Every band member did get a chance to sign it and they were all impressed by my efforts, so that was cool. Mikael Akerfeldt asked me if I ate the pumpkin, I said no, then he told me that “We made pumpkins in our garden. I did not eat them, too.” So charming!! All of them were the nicest guys you would ever meet! Just genuinely great, nice guys, who seemed to be as happy to see us as we were to see them. It was really quite an experience, but it went by in a blur.


Opeth drummer Martin "Axe" Axenrot and me.
After the meet-n-greet we waited for the sound check back in the VIP holding pen and enjoyed some beers. Finally, we were escorted up to the balcony area where we could view the sound check. We witnessed tuning of the drums and various instruments, but it became evident that there were some technical difficulties occurring. It was at this time that we were given the bad news that Fredrik’s equipment – guitars, amps, effects pedals – did not arrive! So we did not get to hear the band do a sound check at this time, and we were shuffled back down to the holding area. At 8 pm, when the doors were supposed to be opened to the public, we finally heard them start playing The Leper Affinity. They then let the VIPs into the venue, and we all rushed to grab the best vantages in our respective areas. (We were mostly split up, due to :wtf: moments when we all bought our tickets back in December. Tony was the lucky one who was able to get a ticket in the Pit area, Eric and I ended up with regular GA tickets, and Brett had a seat up in the loge area.)
Now a bit about the Wiltern Theater. The Pit area and the rest of the General Admission area are separated by a walkway, with a waist-high wooden barrier. We claimed our spots just right of center, up against that barrier, and enjoyed the sound check version of The Leper Affinity. By the end of the concert, we had been pushed to dead-center, right at eye level with Mikael.

Opeth playing The Leper Affinity during sound check
Then, doors opened and people started filling the venue, and our wait for the show began. At one point, I noticed someone in the Pit area who looked an awful lot like Kenny G. Turns out, it was Kenny G, who was in attendance with his sons, who apparently are Opeth fans. Of all the potential LA stars to show up at an Opeth show, I must say that Kenny G was easily the least expected one to be there. But he was a good sport and posed for people’s cameras, horns raised and all.
Finally, at about 9:30, the lights dimmed and Opeth took the stage to the haunting opening note of The Leper Affinity. Fortunately there were lots of people documenting the show, so here is a clip:
The Leper Affinity
At the next song, Bleak, mosh pits formed, both in the Pit, as well as behind us. The moshing behind us caused the sea of humanity to push forward into us, which crushed us against the wooden barrier. This pretty much went on throughout the entire show and I have the bruises to prove it. It was distracting at first, but I managed to get used to it by the second set, although it was quite exhausting protecting our positions there with death grips on that barrier!

During the slow part of Dirge For November
As for the concert – WOW! The first set was the entire Blackwater Park album played from start to finish with no talking. After a ten minute break, they returned to play one song from each of their remaining eight albums in chronological order. After the first song, Forest of October, Mikael introduced the band – “the name of the band is… Toto!” This got much laughter, but mostly from the four of us who oddly, just the night before, were discussing the band Toto. Our group was divided as to opinions of that band’s musical merits.

At the bar, discussing Toto.
Our vantage point, although cozy, offered fantastic sound. Mikael’s voice was just perfect! I have to say, some of the high points for me included Harvest, which had never sounded so good, Blackwater Park, Advent, Hope Leaves, and Harlequin Forest, although the entire show was mind-blowingly fantastic. I will never miss another opportunity to see this band live. I suggest everyone see this band, if they get the chance!
Opeth – Harvest



























Recent Comments